A photo of a researcher in the lab.

12 UCLA College scientists among world’s most influential researchers

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A photo of a researcher in the lab.

A researcher in the lab. Photo Credit: iStock.com

Thirty-six UCLA scholars have been named as the world’s most influential scientific researchers. Twelve are from UCLA College.

Clarivate released its annual list of the most highly cited researchers, which includes dozens of UCLA scientists across various disciplines. The list is compiled by the Institute for Scientific Information at Clarivate using data based on scholarly publication counts and citation indexes. The selected researchers wrote publications that ranked in the top 1% by citations in their field for that year, according to the Web of Science citation index.

Current UCLA College faculty members and researchers who were named to the list, noted with their primary UCLA research field or fields, are:

For the full list and article, written by Max Gordy, please visit the UCLA Newsroom. 

Why is progress so slow for Latinos in Hollywood?

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After “One Day at a Time” was canceled by Netflix in 2019, fans launched a campaign to save the show, which follows a Cuban-American family. The program was later picked up by ViacomCBS and carried on Pop TV and TVLand. (Photo Credit: Costco)

Although minorities overall are becoming better represented in the entertainment industry, that progress largely hasn’t touched Latino actors, writers, directors and executives.

An open letter from 270 Latino TV and film writers and creators, published Oct. 15 in the Los Angeles Times, laid bare the growing frustration with that phenomenon. And the statistics in the 2020 UCLA Hollywood Diversity Report back it up.

Despite making up nearly 17% of the U.S. populace, Latinos are underrepresented in nearly every critical job category tracked by the report, the latest of which was published today.

Chon Noriega, director of the UCLA Chicano Studies Research Center, said decades of attempts at media reform and market-based arguments haven’t yielded significant gains for Latinos in film and TV.

“The approach to media reform over the last 50-some years has always been either the carrot or the stick,” said Noriega, a media scholar who teaches in the UCLA School of Theater, Film and Television. “Initially, it was the stick — the laws and regulations around equal employment opportunity. And because Latinos go to more movies than any group and watch more TV than any group, the carrot was, ‘Here are things you can do and these things will enhance your ability to make money.’”

Advocates and activists haven’t yet come up with a method or message that has led to tangible improvements, he said.

For minorities overall, the most progress has come in acting roles, but the numbers remain stubbornly stagnant for Latino actors.

► Related: Read more about the Hollywood Diversity Report’s analysis of jobs in TV

According to the latest Hollywood Diversity Report, Latinos’ share of lead acting roles was 6.6% on scripted broadcast shows, 5.5% in cable and 4.0% in digital in 2018–19. Among all TV acting roles in the past two years, Latinos’ best representation was in broadcast shows during the 2017–18 season, but even then, they made up just 6.4% of casts.

That’s scant progress since the 2012–13 television season, when Latino actors claimed 4.0% of acting roles in broadcast shows, 3.0% on cable and 12.0% on digital.

And all minority groups, including Latinos, are underrepresented in TV writing, directing and show creator jobs, according to the recent report.

Noriega said the rationale for improving Latinos’ representation on TV is tied to media’s critical role in fostering understanding across racial and ethnic groups.

“If you’re in California, how do you know anything about the Midwest or the South?” he asked. “How do you know that the people there are kind of like you in certain ways? You can travel there, and spend time and learn firsthand. Or you can watch movies, the nightly news, sitcoms and documentaries. You can look at things that come into your home that represent other parts of the world beyond where you live.”

For example, he said, Puerto Ricans are rarely depicted in film and on TV — which likely contributes to many Americans’ lack of understanding that Puerto Rico is a U.S. territory or that its residents are U.S. citizens who nevertheless lack the full rights of citizenship.

Today’s analysis of the television industry is the second installment of the 2020 Hollywood Diversity Report; part one, focusing on movies, was published in February.

That report found that Latinos held 4.6% of movie acting roles in 2019. Of the 145 top-grossing films in 2019, Latinos had writing credits on just 2.8% and directing credits on only 2.7%. Although both figures were higher than they were for the top-grossing films of 2018, the percentages are still far short of Latinos’ overall share of the population.

Noriega said the lack of representation in some cases — and the way in which minorities are portrayed on screen in others — is especially concerning because of how media shapes people’s impressions.

“There are more portrayals of African-Americans as a percentage than in society,” he said. “But it has been largely negative representation. It’s largely about crime, both in the news and in entertainment.

“And you will rarely see Latinos in the media; you’ll rarely read about them in newspaper. They don’t exist. That makes it a lot easier for a government to decide that they are going to put small children from that group in cages.”

This article, written by Jessica Wolf, originally appeared in the UCLA Newsroom. 

A still from the Netflix limited series “When they See Us.”

Diversity improves among TV actors, but executives still overwhelmingly white and male

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A still from the Netflix limited series “When they See Us.”

The Netflix limited series “When they See Us” was one of the top-rated digital programs of the 2018–19 season. (Photo Credit: Atsushi Nishijima/Netflix)

-An analysis by researchers at the UCLA College found that women hold only 32.0% of studio chair and CEO jobs; minorities just 8.0%.

-Across broadcast, cable and digital, only 24.0% of credited writers are minorities and only 21.8% of episodes were directed by minorities in 2018–19.

-Representation of women and minorities in acting roles has improved since last year’s report.

-Ratings and social media engagement data show that audiences respond to diversity.

When it comes to gender and racial diversity in television industry jobs, the playing field continues to level for women and minorities, but there’s stubborn structural gridlock at the highest ranks and behind the camera.

Those are among the findings of the second part of the 2020 UCLA Hollywood Diversity Report, which focuses on broadcast, cable and digital programming for the past two television seasons. Part one, which was published in February, analyzed diversity in the movie business, and the authors concluded that the industry’s narrative on diversity was a tale of two Hollywoods. They write that the same is true in TV.

Women and minorities made gains in nearly all of the 13 television employment categories tracked by the report. But both groups still are not represented proportionately to their share of the U.S. population overall, even though audiences continue to show interest in programs whose casts, directors and writers represent the nation’s diversity.

“There has been a lot of progress for women and people of color in front of the camera,” said Darnell Hunt, dean of the division of social sciences in the UCLA College and a co-author of the report. “Unfortunately, there has not been the same level of progress behind the camera. Most notably in the executive suite, there has been very little change since we began compiling data five years ago. That’s very telling, particularly in light of our current racial reckoning.”

The report, which is compiled and published by researchers in the UCLA College social sciences division, tracks two seasons of scripted broadcast, cable and digital programming — 453 shows in 2017–18 and 463 shows in 2018–19.

In 2018–19, minority actors were almost proportionally represented (35.0%) among lead roles in scripted cable shows. (Minorities represent 40.2% of the population overall.) Women actors achieved parity in lead roles for of digital scripted shows (49.4%) and almost did so among lead roles in scripted cable shows (44.8%).

In all other job categories reviewed in the report, men hold almost twice as many jobs as women and whites hold at least twice as many as minorities. Still, there are signs of continued, albeit slow, improvement. Of all lead acting slots on broadcast shows in 2018–19, people of color held 24.0%, almost a fivefold increase from 2011–12 when it was 5.1%.

The analysis found that the greatest racial and gender disparities are in behind-the-camera jobs such as show creator, writer and director:

  • Among digital programs, just 10.3% of show creators were minorities; in broadcast, 10.7%; and for cable, 14.7%.
  • Women held 28.6% of show creator titles for digital programs, 28.1% for broadcast and 22.4% for cable.
  • In 2018–19, only 24.0% of credited writers were minorities and only 21.8% of all episodes airing or streaming were directed by minorities, on average, across broadcast, cable, and digital platforms.

And white men still dominate the high-level TV executive jobs. As of 2020, chair/CEO positions were overwhelmingly held by white people (92.0%) and men (68.0%); and the statistics were similar for of senior executives (84.0% white, 60.0% male) and unit heads (87.0% white, 54.0% male).

“Just as with film, it’s those at the top of the television industry who have the most power to foster talent and invest in programming,” said Ana-Christina Ramon, a co-author of the report and director of research and civic engagement in the UCLA division of social sciences.

“The underrepresentation of people of color in the executive suite, and as creators, writers and directors is problematic, even if there are more people of color in acting roles. When people of color do not control their own narrative, their characters’ storylines may lack authenticity, may be written stereotypically or their characters may even be depicted as ‘raceless.’”

Now, Hunt said, a big question is whether the nation’s current racial reckoning will have a significant effect on the industry’s hiring practices in a way that will be apparent in next year’s report.

The report’s authors have tracked film and television diversity data since 2014, making the study the most comprehensive record of the industry’s progress on diversity hiring.

► Related: UCLA report outlines strategy toward diversity in Hollywood

Each Hollywood Diversity Report has further established that audiences value and respond to diversity.

Among Black households, all 10 of the top-rated broadcast TV shows in 2018–19 featured casts that were at least 21% minority. But the phenomenon held among white households, too: eight of the top 10 broadcast scripted shows among white viewers had casts that were at least 21% minority.

Social media engagement tends to be strong when casts are more diverse, too. Judging viewers’ activity on Facebook, Instagram and Twitter activity around scripted cable TV shows, figures spiked when the shows had majority-minority casts.

Among other findings in the report:

-Black actors reached proportional representation (12.9%) among lead actors in cable scripted shows in 2017–18 and lead actors in cable scripted programs (14.1%) in 2018–19. Black actors were also overrepresented in total cast diversity for broadcast (18.0%) and cable shows (18.2%) in 2018–19. The U.S. population is about 13% Black.

-Latinos and Asian Americans remain significantly underrepresented in nearly all industry positions.

-There is minimal presence in any job category for people of Middle Eastern and North African descent, and virtually zero representation for Native Americans.

“Over time, work has been done to improve representation among certain groups — like Black actors in particular — but the near absence of Native Americans in these jobs is potent evidence that systems of racial erasure continue to exist,” Hunt said.

This article, written by Jessica Wolf, originally appeared in the UCLA Newsroom.

Images from the four episodes of Earth Focus

Faculty, students co-produce documentary on bipartisan environmental solutions

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Images from the four episodes of Earth Focus

Earth Focus Collage
Images from the four episodes of Earth Focus. Top Left: “The New West and the Politics of the Environment,” image courtesy of KCET and LENS at UCLA; remaining images courtesy of Thomson Reuters Foundation. (Photos Courtesy of KCET, LENS and Thomson Reuters Foundation)

Anew documentary exploring environmental politics, which was researched, reported and produced by UCLA faculty and students in conjunction with the Southern California public media channel KCET, is slated to air in September as part of the locally produced environmental series “Earth Focus.”

This is the third season of “Earth Focus” that UCLA’s Laboratory for Environmental Narrative Strategies has worked on. LENS advised on three of the episodes in this year’s series and co-produced the fourth, a feature-length documentary. Launched in 2007, the series is the longest-running investigative environmental news program on U.S. television and features reports about the changing environment and how it affects people around the world.

The 90-minute documentary, “The New West and the Politics of the Environment,” focuses on Nevada Sen. Harry Reid’s work on sustainability. The film looks at topics like bipartisan solutions to water wars and land conservation, compromises between progressive urban areas and conservative rural areas, and equitable energy transitions from coal to renewable energy.

LENS co-founder Jon Christensen, a UCLA adjunct assistant professor and member of the Institute of the Environment and Sustainability, served as executive producer on the documentary. In collaboration with the filmmaking team at KCET, Christensen’s work included researching and shaping the story, interviewing subjects, and overseeing UCLA students working as researchers, reporters and writers on the series.

UCLA fourth-year political science student Lucas Holtz investigated environmental initiatives emerging in the western United States, while Spencer Robins, a graduate student in English, delved into Reid’s archived congressional papers, many of which were fortunately digitized before the pandemic quarantine.

Shouhei Tanaka, also a graduate student in English, researched the history of California’s reliance on coal and fossil fuels and turned it into an online article that will run with an “Earth Focus” episode about coal mining in South Africa. Geography grad student Alexandria Herr researched and wrote an article for the website about the environmental legacy of mercury used in the California gold rush, which will run as a companion piece to an episode about illegal gold mines in Peru.

“In a political season that’s as polarized as we’ve ever seen, we want to tell these stories showing that environmental politics are complicated and nuanced, and there are different paths being forged on the ground,” Christensen said. “Even among politicians who are opposed to funding climate change research, in the Midwest for example, there are many who care deeply about how changing weather patterns, drought and flooding affect farming.”

KCET partnered with the Thomson Reuters Foundation for the international filmmaking. While LENS’ work focused on the feature-length documentary, all the partners gathered for weekly calls on story development, providing Christensen and the UCLA students a voice in the development of the other three episodes in the series.

“Earth Focus” airs on KCET and Link TV beginning on Sept. 8 at 8 p.m. with “The Youth Climate Movement around the World,” and culminates with “The New West and the Politics of the Environment” on Sept. 29.

This article originally appeared in the UCLA Newsroom.

A photo of two N95 respirators.

Single-use N95 respirators can be decontaminated and used again, study finds

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A photo of two N95 respirators.

N95 respirators reduce exposure to airborne infectious agents, including SARS-CoV-2, the virus that causes COVID-19. (Photo Credit: CDC/Debora Cartagena)

N95 respirators, which are widely worn by health care workers treating patients with COVID-19 and are designed to be used only once, can be decontaminated effectively and used up to three times, according to research by UCLA scientists and colleagues.

An early-release version of their study has been published online, with the full study to appear in September in the journal Emerging Infectious Diseases.

N95 respirators reduce exposure to airborne infectious agents, including SARS-CoV-2, the virus that causes COVID-19, and are one of the key pieces of personal protective equipment used by clinical workers in preventing the spread of the virus. Critical shortages of these masks have driven efforts to find new decontamination methods that can extend their use.

“Although N95 respirators are designed for just one use before disposal, in times of shortage, N95 respirators can be decontaminated and reused up to three times,” said James Lloyd-Smith, a co-author of the study and a UCLA professor of ecology and evolutionary biology. “But the integrity of the respirator’s fit and seal must be maintained.”

In a controlled laboratory setting, the researchers tested several decontamination methods on small sections of N95 filter fabric that had been exposed to SARS-CoV-2. The methods included vaporized hydrogen peroxide, dry heat at 70 degrees Celsius (158 degrees Fahrenheit), ultraviolet light and a 70% ethanol spray. All four methods eliminated detectable viable virus traces from the N95 fabric test samples.

The investigators then treated fully intact, clean respirators with the same decontamination methods to test their reuse durability. Employees with the National Institutes of Health’s Rocky Mountain Laboratories in Montana volunteered to wear the masks for two hours to determine if they maintained a proper fit and seal over the face. The scientists decontaminated each mask three times, using the same procedure with each.

The masks treated with vaporized hydrogen peroxide experienced no failures, suggesting they potentially could be reused three times, Lloyd-Smith said. Those treated with ultraviolet light and dry heat began showing fit and seal problems after three decontaminations, suggesting these respirators potentially could be reused twice.

The study authors concluded that vaporized hydrogen peroxide was the most effective method because no traces of the virus could be detected after only a 10-minute treatment. They found that ultraviolet light and dry heat are also acceptable decontamination procedures, as long as the methods are applied for at least 60 minutes.

The ethanol spray, the scientists discovered, damaged the integrity of the respirator’s fit and seal after two sessions, and they do not recommend it for decontaminating N95 respirators.

The researchers stressed that anyone decontaminating an N95 respirator should closely check the fit and seal over the face before each reuse.

Co-authors of the study include Amandine Gamble, a UCLA postdoctoral researcher in Lloyd-Smith’s laboratory, as well as researchers with Rocky Mountain Laboratories, part of the NIH’s National Institute of Allergy and Infectious Diseases.

Funding sources included the National Institute of Allergy and Infectious Diseases, the Defense Advanced Research Projects Agency, and the National Science Foundation.

In a widely cited study, Lloyd-Smith and colleagues reported in March that the virus that causes COVID-19 remains for several hours to days on surfaces and in aerosols.

This article originally appeared in the UCLA Newsroom.

 

A photo of Lynn Vavreck and Miguel García-Garibay.

Two elected to American Academy of Arts and Sciences

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A photo of Lynn Vavreck and Miguel García-Garibay.

From left: Lynn Vavreck, Miguel García-Garibay

Six exceptional UCLA professors and leaders — including the UCLA College’s Physical Sciences Dean Miguel García-Garibay and Political Science Professor Lynn Vavreck — were elected April 23 to the American Academy of Arts and Sciences, one of the nation’s most prestigious honorary societies. The other honorees include School of Law Dean Jennifer Mnookin, Education Professor Pedro Noguera, environmental champion Mary Nichols and Hammer Museum Director Ann Philbin.

“I am delighted to congratulate each of this year’s UCLA inductees, who are all deserving of this wonderful honor,” UCLA Chancellor Gene Block said. “Election to the American Academy of Arts and Sciences is a testament to the exceptional work of our scholars and leaders. The entire campus community can take pride in this news and their many accomplishments.”

A total of 276 artists, scholars, scientists and leaders in the public, nonprofit and private sectors who were elected to the Academy today. More about UCLA’s honorees:

Miguel García-Garibay, dean of the UCLA Division of Physical Sciences and professor of chemistry and biochemistry, has earned worldwide recognition in the fields of artificial molecular machines, organic photochemistry, solid-state organic chemistry and physical organic chemistry. He studies the interaction of light and molecules in crystals. Light can have enough energy to break and make bonds in molecules, and García-Garibay’s research team has shown that crystals offer an opportunity to control the outcome of these chemical reactions.

His research has applications for green chemistry — the design of chemical products and processes that reduce or eliminate the generation of hazardous substances — and it could lead to the production of specialty chemicals that would be very difficult to produce using traditional methods. Among his many honors, he was elected a fellow of the American Chemical Society in 2019.

Lynn Vavreck is UCLA’s Marvin Hoffenberg Professor of American Politics and Public Policy, a contributing columnist to the Upshot at the New York Times, and a recipient of many awards and honors, including the Andrew F. Carnegie Prize in the Humanities and Social Sciences. She is the author of five books, including “Identity Crisis: The 2016 Presidential Campaign and the Battle for the Meaning of America” and “The Gamble: Choice and Chance in the 2012 Presidential Election,” which has been described as the “definitive account” of that election.

Consultants in both political parties refer to her work on political messaging in “The Message Matters” as required reading for presidential candidates. “Identity Crisis” was awarded the 2019 Richard E. Neustadt Prize for the Best Book on Executive Politics by the Presidents and Executive Politics Section of the American Political Science Association.

Vavreck’s 2020 election project, Nationscape, is the largest study of presidential elections ever conducted in the United States. Interviewing more than 6,000 people a week, Nationscape will complete 500,000 interviews before next January’s inauguration.

► Read more about the Nationscape election project.

“The members of the class of 2020 have excelled in laboratories and lecture halls, they have amazed on concert stages and in surgical suites, and they have led in board rooms and courtrooms,” said David Oxtoby, president of the Academy. “With [the] election announcement, these new members are united by a place in history and by an opportunity to shape the future through the Academy’s work to advance the public good.”

The American Academy of Arts and Sciences was founded in 1780 by John Adams, John Hancock and others who believed the new republic should honor exceptionally accomplished individuals. Previous fellows have included George Washington, Benjamin Franklin, Alexander Hamilton, Ralph Waldo Emerson, Albert Einstein, Charles Darwin, Winston Churchill, Martin Luther King Jr. and Nelson Mandela.

It also is an independent policy research center that undertakes studies of complex and emerging problems. Current academy members represent today’s innovative thinkers in many fields and professions, including more than 250 Nobel and Pulitzer Prize winners.

This article originally appeared in the UCLA Newsroom.

A photo of a valley oak tree.

UCLA College Celebrates Earth Day

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A photo of a Griffith Park vista; the view of the Los Angeles skyline from Griffith Park.

Los Angeles County is home to more than 4,000 distinct species of plants and animals, and the sustainability plan aims for “no loss of native biodiversity.” (Photo Credit: Jake Dobkin)

Not only does this mark its 50th anniversary, this Earth Day is unlike any other we have seen as the global pandemic continues to impact the way we live our lives. Yes, it has disrupted our daily routines but it has also benefited the environment in myriad ways. For example, freeways once clogged with traffic have opened up, clearing the air and making way for bright blue skies and views for miles. Even before COVID-19, UCLA College faculty members and teams were out in the field and in their labs, working on groundbreaking research and advising on county and statewide plans. In honor of Earth Day, we are highlighting stories about conservation, sustainability, global warming, solar geoengineering and protecting our precious ecosystems.

 

A photo of vegetation and mountains in California's Anza-Borrego State Park.

Vegetation and mountains in California’s Anza-Borrego State Park. (Photo Credit: Sean Brenner/UCLA)

UCLA to lead $10 million California conservation project

UCLA scientists are leading a $10 million project to help California officials make ecologically wise decisions as the state continues to confront the effects of climate change. The initiative will give California officials scientific data they can use to make decisions about conserving the state’s ecosystems.

A photo of a valley oak tree.

The valley oak, the largest oak in California, grows to over 100 feet tall and provides habitat and food for a variety of animals. (Photo Credit: Victoria Sork/UCLA)

One of California’s iconic tree species offers lessons for conservation

New research led by UCLA evolutionary biologist Victoria Sork examines whether the trees being replanted in the wake of California’s fires will be able to survive a climate that is continuing to warm. The study, which is published in the Proceedings of the Natural Academy of Sciences, focuses on California’s iconic valley oak.

A photo of a Griffith Park vista; the view of the Los Angeles skyline from Griffith Park.

Los Angeles County is home to more than 4,000 distinct species of plants and animals, and the sustainability plan aims for “no loss of native biodiversity.” (Photo Credit: Jake Dobkin)

L.A. County taps UCLA to help create first-ever sustainability plan

The Los Angeles County Board of Supervisors unanimously approved an ambitious sustainability plan that calls for phasing out fossil fuels to address climate change and improve quality of life in the region. Sixteen UCLA researchers contributed to the OurCounty plan, which was created by the county’s Chief Sustainability Office.

A photo of the Santa Monica Pier at night.

The Santa Monica Pier at night. Artificial light can cause problems for a range of species that live and breed in coastal environments. (Photo Credit: William Chen/Pexels)

Study draws Southern California coastal light pollution into focus

Artificial light is known to disrupt mating cycles in species along the Southern California coast. A team of UCLA and University of Southern California researchers led by Travis Longcore, UCLA adjunct professor of urban conservation biology, has mapped light pollution conditions that will be used to inform decisions about future infrastructure and construction plans.

A photo of members of the UCLA Center for Diverse Leadership in Science, which was founded by Aradhna Tripati, associate professor in the UCLA Institute of the Environment and Sustainability.

Members of the Center for Diverse Leadership in Science, which was founded by Professor Aradhna Tripati, third row, far right, and their colleagues. (Photo: Courtesy of Aradhna Tripati)

Professor pays it forward by promoting diversity and environmental justice

When she was appointed in 2009, Aradhna Tripati was the first woman of color out of 50 faculty in UCLA’s Institute of the Environment and Sustainability. Along with colleagues in UCLA’s Anthropology department and American Indian Studies Center, she conducts community engaged research on water in the context of global warming in the southwestern United States. She also formed the first university-based center for diversity in environmental science, with the goal of inspiring a generation of leaders that matches the demographics of the U.S. population.

A photo of students on the UCLA campus, with the Janss Steps and Royce Hall in the background.

UCLA raises $5.49 billion in one of most ambitious campaigns ever by a public university

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A photo of students on the UCLA campus, with the Janss Steps and Royce Hall in the background.

Nearly 220,000 donors from all 50 U.S. states and 98 additional countries gave to advance causes across the UCLA campus and in communities in Southern California and around the world. Photo Credit: Patricia Marroquin/UCLA

The Centennial Campaign for UCLA, one of the most ambitious fundraising campaigns ever by a public university, has raised $5.49 billion. As UCLA enters its second century, the funds are already supporting a broad array of priorities, including student scholarships and fellowships, faculty research, and programs that enrich communities in Los Angeles and beyond.

The campaign launched publicly in May 2014 and closed in December 2019, in the midst of UCLA’s 100th year. During the initiative, nearly 220,000 donors from all 50 U.S. states and 98 additional countries gave more than 574,000 gifts to advance causes across campus and in communities in Southern California and around the world.

Approximately 95% of those gifts were less than $10,000, and 81% were less than $1,000, indicating the broad-based support for UCLA’s mission.

UCLA also received transformative philanthropic commitments of more than $100 million, including Marion Anderson’s giving for students, faculty and facilities at the UCLA Anderson School of Management; David Geffen’s gifts for medical student scholarships and the Geffen Academy at UCLA; Meyer and Renee Luskin’s giving to name the school of public affairs and build a campus conference center; and Henry and Susan Samueli’s gifts to expand engineering education and research.

“As we celebrate UCLA’s first hundred years, the Centennial Campaign for UCLA has exceeded its goals and engaged students, faculty, friends and leaders in setting up the university for an even more remarkable second century,” UCLA Chancellor Gene Block said. “We are so grateful to each and every person who has participated in this extraordinary effort.”

Campaign gifts cross campus, causes and communities

Funds raised through the campaign already are making a difference across the campus, including supporting students in a diverse range of fields. Such support includes humanities fellowships established by Jordan and Christine Kaplan and Ken Panzer; scholarships created by the cast and crew of hit television show “The Big Bang Theory” for students in science, technology, engineering and math fields; scholarships for dentistry students created by Bob and Marion Wilson; and scholarships for public health students established by Jonathan and Karin Fielding.

Steve Tisch and Shirley and Walter Wang both established scholarships for students from middle-income families; faculty member Ellen Carol DuBois donated to support transfer students; and the family of the late Bill Steinmetz, a UCLA alumnus and World War II veteran, gave to support student veterans.

Campaign giving for scholarships leveraged funds through matching challenges, such as those initiated by Miguel García-Garibay, dean of the UCLA College division of physical sciences, and Block, who designated student support as a campaign and continuing priority. Every new scholarship will help make a high-quality education affordable for high-achieving students of all backgrounds. UCLA already ranks No. 1 among the nation’s top-tier universities for enrolling low- to middle-income students, and more of its graduates move up two or more income levels, according to The Equality of Opportunity Project. During the Centennial Campaign, UCLA raised $665 million for student support.

Many other campaign gifts created endowed chairs to recruit and retain stellar faculty: Iris Cantor established the university’s 500th chair with a gift to the Iris Cantor–UCLA Women’s Health Center, and the Ralph and Shirley Shapiro family established several faculty chairs during the campaign — in dentistry, disability studies, law, nursing, pediatrics and other areas — bringing the total number of chairs they have established at UCLA to more than 20.

Other donors enhanced the campus with lead gifts for state-of-the-art facilities. With the Eugene & Maxine Rosenfeld Hall for medical education, the Evelyn and Mo Ostin Music Center, the Mo Ostin Basketball Center and the Wasserman Football Center, construction has transformed UCLA during the course of the campaign. In Westwood and beyond, the arts have benefited from Marcy Carsey’s and Stewart and Lynda Resnick’s gifts to renovate the Hammer Museum at UCLA and Margo Leavin’s gift to refurbish graduate art studios in Culver City.

Throughout the campaign, philanthropists supported UCLA initiatives in a wide array of fields with real-world relevance:

  • Brain health: A gift from James L. and Phyllis Easton advanced research on the prevention and treatment of neurodegeneration, and concussion and traumatic brain injury. Wendy and Leonard Goldberg endowed a migraine research program, and Laurie and Steven Gordon funded faculty chairs, a new lab and research dedicated to curing Parkinson’s disease. Gifts to the UCLA Depression Grand Challenge made UCLA the first university to offer depression and anxiety screening for students and immediate connection to appropriate levels of care.
  • Cancer: Agi Hirshberg’s campaign gift created a center dedicated to, and supported seed grants for, pancreatic cancer research. Eli and Edythe Broad made a major new gift to their eponymous stem cell research center at UCLA, which will help researchers translate findings into clinical applications for cancer and other diseases. And Dr. Victoria Mann Simms and Ronald Simms gave to support the expansion of integrative psychosocial care for people with cancer and for their families at UCLA clinics throughout Los Angeles.
  • Humanities, culture and entertainment: Tadashi Yanai’s gift endowed an initiative for globalizing Japanese humanities, which supports students, faculty, international exchanges and public events. Jeff Skoll’s gift established a center for promoting social change through entertainment, and Kenneth Ziffren gave multiple gifts to establish an institute in entertainment law. The Patricia Mitchell Trusts not only partnered with Ziffren to support that institute, but also created endowments to support UCLA School of Theater, Film and Television students and the UCLA Film & Television Archive.
  • Environment and sustainability: Dan and Rae Emmett added a matching gift for their namesake institute for climate change and environmental law, whose research regularly informs policy leaders and the media. Morton La Kretz has helped the UCLA College renovate its botany building and the Mildred E. Mathias Botanical Garden, both in support of conservation education and research. Gifts to UCLA’s Sustainable LA Grand Challenge helped produce valuable research and policy recommendations for the region.
  • Public outreach and service: The Anthony and Jeanne Pritzker Family Foundation established an interdisciplinary center for strengthening foster youth and families, and Matthew and Jennifer Harris established the UCLA Bedari Kindness Institute. Campaign commitments enabled UCLA to found the Promise Institute for Human Rights and the Promise Armenian Institute, and many donors gave to UCLA Operation Mend, which provides medical and psychological treatment for service members, veterans and their family members.
  • Well-being for all ages: A major gift from Mattel Inc. advanced the local and international work of UCLA Mattel Children’s Hospital. Jane and Terry Semel endowed the Semel Healthy Campus Initiative Center at UCLA, spreading activities, resources and healthier habits across campus and encouraging similar initiatives at college campuses and other institutions across the nation. James and Carol Collins have advanced research and programs serving older adults, including creating a chair in geriatric medicine and supporting fellowships, residencies and training for medical students and physicians.

Alumni and friends invest in UCLA

The Centennial Campaign, which was co-chaired by Tony Pritzker and UCLA alumnus Garen Staglin, counted the contributions of nearly 220,000 donors, including nearly 127,000 first-time donors and more than 108,000 alumni donors.

“I truly believe in UCLA as a unique public research institution that benefits students from every walk of life, the city of Los Angeles and the world at large,” said Pritzker, who is not a UCLA alumnus but serves as a tireless benefactor and champion of the campus. “Ensuring a successful start to its second century is an investment not only in the university and its students but in everyone’s future.”

Staglin and his wife, Shari, launched the organization One Mind, which bridges gaps in mental health research and patient support, and they have been strong advocates for the UCLA Depression Grand Challenge. “UCLA is leading the way in so many areas, and it has been a privilege to see alumni and friends come together to support causes close to their hearts while advancing education, research and service that change lives,” he said.

UCLA makes its mark in higher education fundraising

At the time of its launch, the Centennial Campaign’s $4.2 billion goal was the most ambitious fundraising goal ever announced by a U.S. public university, and UCLA surpassed that target 18 months ahead of schedule. Since then, the higher education sector has continued to see an upturn in fundraising and campaigns. According to the Voluntary Support of Education survey, giving to colleges and universities grew 6.1% in 2018–19.

The same survey ranked UCLA the No. 1 public university in philanthropic funds raised for 2017–18, and the campus was included in the Chronicle of Philanthropy’s special report on multiyear campaigns in April 2019. The feature highlighted the proliferation of such fundraising drives across the country, including at several other high-profile institutions across Los Angeles.

“In a philanthropic landscape overflowing with opportunities to give, the success of the Centennial Campaign for UCLA speaks to donors’ generosity and their belief in UCLA’s mission,” said Rhea Turteltaub, UCLA’s vice chancellor for external affairs. “We take the responsibility to steward their trust very seriously, and we will continue working to ensure students’ access to education, secure resources for research and deliver on our commitment to public service every day.”

To view campaign results, read stories about gifts and beneficiaries or learn more about giving to UCLA, visit the Centennial Campaign for UCLA site and UCLA Newsroom.

This article originally appeared in the UCLA Newsroom.

Image of Kabuki actor performing

UCLA receives $25 million from Uniqlo founder for Japanese literature and culture studies

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Image of Kabuki actor performing

Renowned Kabuki actor Nakamura Kyozo performing the role of a lion in “Shujaku jishi” at the Glorya Kaufman Dance Theater in an event for students co-sponsored by the Yanai Initiative and the Japanese Ministry of Culture (November 14, 2019). (Credit: Ning Wong Studios)

UCLA has received a $25 million gift from Tadashi Yanai, the chair, president and CEO of Japan-based Fast Retailing and founder of clothing company Uniqlo. The funds will endow the Tadashi Yanai Initiative for Globalizing Japanese Humanities, which will bolster UCLA’s status as a leading center for the study of Japanese literature, language and culture.

The gift is the largest from an individual donor in the history of the UCLA College’s humanities division. A previous donation of $2.5 million from Yanai in 2014 created the Yanai Initiative, a collaboration between UCLA and Waseda University, one of Japan’s most prestigious universities. The program supports academic and cultural programming and enables student and faculty exchanges between the two universities. This latest gift will ensure the initiative’s long-term future.

“Mr. Yanai’s extraordinary gifts are a testament to UCLA’s long-standing commitment to educate global citizens who can thrive in careers — and cultures — anywhere in the world,” said UCLA Chancellor Gene Block. “The Tadashi Yanai Initiative for Globalizing Japanese Humanities will have a profound and lasting impact on this campus.”

Photo of Tadashi Yanai

UCLA has received a $25 million gift from Tadashi Yanai, the chair, president and CEO of Japan-based Fast Retailing and founder of clothing company Uniqlo. (Credit: Fast Retailing Co., Ltd.)

The Yanai Initiative is housed in the UCLA College department of Asian languages and cultures and directed by Professor Michael Emmerich. The latest gift will fund and establish an endowed chair in Japanese literature and will fund conferences, public lectures, faculty research, cultural performances and community outreach. It will support graduate and postdoctoral fellowships and undergraduate awards.

“It has been inspiring to see all of the creative, innovative programming — both academic and cultural — that this project has realized over the past five years,” Yanai said. “Now that we are making it permanent, I’m excited to see how it will continue to transform the Japanese humanities in a global context. At the same time, I hope this gift will give others a chance to remember how crucial the humanities are, and, in their own way, to recommit.”

The gift also triggers matching funds from the Humanities Centennial Match and the UCLA Centennial Scholars Match to support UCLA graduate students in Japanese humanities and other areas of study.

“Mr. Yanai’s gift is a visionary investment in a field of increasing interest to humanities scholars, students and people everywhere,” said David Schaberg, UCLA’s dean of humanities. “Thanks to his generosity, UCLA will lead the way in research and teaching in Japanese humanities, bringing new attention to a rich culture that has captured people’s imaginations for centuries.”

Schaberg said another benefit of the gift is that it will deepen UCLA’s partnership with Waseda.

In addition to funding fellowships, symposia, lectures and academic workshops, Yanai’s previous donation supported a range of cultural programs, including a five-day series of events featuring actor Nomura Mansaku, who was designated a “living national treasure” by the Japanese government; a retrospective of films by Palme d’Or recipient Hirokazu Kore-eda; and “The Art of the Benshi,” which introduced Los Angeles audiences to the early 20th century performance art in which narrators bring silent movies to life with live music accompaniment.

“During the past five years, Mr. Yanai’s generosity has enabled us to do so much for students and for the Japanese humanities not just at UCLA, but across the country and around the world,” Emmerich said. “We’ve been able to organize major cultural events across Los Angeles, drawing thousands of participants. I never imagined I would be able to say that all this was only the beginning. I can’t express how grateful we all are to Mr. Yanai for his generosity, his incisive advice and his commitment.”

The gift was facilitated through a designated donations program run by the Japan Foundation, which is dedicated to promoting cultural and intellectual exchange with Japan. Over the past three decades, the foundation has helped advance and fund numerous cultural programs at UCLA.

View this release in Japanese.